"for the happy, the sad, I don't want to be, another page in your diary"
Showing posts with label Black Swan. Show all posts
Showing posts with label Black Swan. Show all posts

Sunday, 7 October 2012

A (Slight) Sting In The Tail

We head to Congleton via my parents house, to collect my Dad who does like a 7am start. We take him to all the glitzy places and today’s its Congleton’s turn.


Now I’ve had a bad knee all week, well longer actually, so I’m not at all sure how this is going to pan out. I intend to start slow and not build up to a faster pace.


As is now the norm, someone with an Olympic torch helps start the race. Then as we leave the start at the High School, we find the first few miles to be a bit hectic, very busy and we all end up crammed on a pavement next to a busy main road. It was a bit like the ark, two by two, as the field hadn't had chance to thin out by then. Although I suppose this did it. There was the grass verge but I didn’t want to get my trainers muddy and I think everyone else thought the same, so congested it stayed.

Then across a busy roundabout heading into a supermarket before we finally quit the built up area. Thereafter it’s mainly country lanes, villages and plenty of room to run or hobble. Where I’m sure the view would have been really pleasant, if it wasn’t for some high hedges and a covering of low lying mist that didn’t lift. Actually perfect conditions for running, just not for sightseeing and despite a few undulations it seemed a fairly fast course. Not that dissimilar to Ipswich the other week, in fact that was probably hillier.

The race is chip timed and well marshalled. The drinks were in cups but for once I didn’t mind easing down to walk to drink from them, to give the knee a rest. All the drinks stations also advertised sponges, but they proved elusive, I never saw one. There was an extra drinks stop, set up outside the Black Swan and I eased up, just in case... but it was only soft drinks.

The race is called the 'Sting In The Tail' which is because, on the map at least, there was a huge dip, or may crevasse is a better word, at 12 miles, that you would think you’d need full climbing gear to get out of. Ahh, the wonders of map scales. The dip was not that severe. I didn't have to crawl.

L is racing too, she’s chosen the Quarter Marathon option, which I think is a first. At only £6 it’s bargain. Although she doesn’t get the t-shirt, which was a bit dull anyway, to be honest. Instead she gets a teddy bear and a much better goodie bag than me. There’s not much in mine at all.

I queue up for a massage but it’s not looking like a proper leg breaking sports massage, just two women playing patter cake on peoples’ legs. Which is always welcome but not worth queuing half an hour for, so I go to join L and my father in the cafe.

We head back to my parent’s place and collect my Mum before heading to the Canal Warehouse in Shardlow, where it turns out they serve a poor Sunday lunch but some excellent Hobgoblin.

After a bit of late afternoon R&R we decide to check out a beer festival that is happening at one of our local pubs, the Admiral Rodney. It’s nothing to get too excited about but they do have Otter Ale and that takes us back to many happy days spent in Devon. The pub are offering a discount for us Camra members and a loyalty card scheme, which is rather poor as you’re only allowed one stamp per day, rather than one per pint as is the norm with these things and it’s only valid for the fortnight of the festival as well. So not much of an incentive to revisit.

Back home, the knee is throbbing again and I rip open a sachet of jointeeze or something, which was one of the things in my goodie bag. L and the dogs immediately start choking from the aroma of the stuff and Doggo even momentarily gets off the bed. It’s all in a good cause guys, my dodgy knee, as is the Savlon for other areas that have taken a bit of chaffing.

(Sunday 7th October)

Wednesday, 28 December 2011

Favourite Films Of 2011

This is the first part of my review of the year, my favourite films of the past year.

I saw some impressive films at the start of last year and at the end of this, with not much inbetween. Anyone would think that's the awards season...

10. Tinker Tailor Soldier Spy


You're supposed to describe this as compelling, tense, absorbing, involving etc etc and in some ways it was. Some would say dull. In reality, it's probably somewhere in between.

Read My Review

9. True Grit


Good film but... I'm still not sure why they made it.

Read My Review

8. Submarine


An excellent film, about the horrors of growing up and some.

Read My Review

7. 127 Hours


127 Hours is an experience that I survived. I think. Unforgettable, for several reasons.

Read My Review

6. My Week With Marilyn


Michelle Williams does an extraordinary job as Marilyn Monroe.

Read My Review

5. Drive


An absorbing piece of cinema. Some would call it slow but I’d call it tense and involving.

Read My Review

4. The Fighter


Much more than just a film about boxing.

Read My Review

3. The Social Network


‘You're going to go through life thinking that girls don't like you because you're a nerd. And I want you to know, from the bottom of my heart, that that won't be true. It'll be because you're an asshole.’

Read My Review

2. The Kings Speech


Excellent casting, excellent acting. A thoroughly entertaining piece of historical cinema that gives a fascinating insight into King George VI

Read My Review

1. Black Swan


An enthralling experience from start to finish, something you would not expect from a film about a ballet.

Read My Review

Monday, 28 February 2011

(Almost) Great Things

L has suddenly been struck down by some sort of virus. At first I thought it was some adverse reaction to Yorkshire hills but no it appears to be more of a flue sort of thing. So we didn’t get to celebrate our Huddersfield survival yesterday and she’s not looking too good today either. I step in and do dog duty again.

L stays off work which confuses the dogs, who are a bit shocked to have her at home. That is, in case she ruins their restful day by making them go for a walk or something equally strenuous. They're safe. L alternates her time between the computer and collapsing back into bed. Which these days, I believe, is the typical weekday of choice for a lot of the population although L does at least spend her computer time doing some work. This arrangement also suits the dogs just fine, that’s their sort of day, just without the computer bit.

After all that rest I’ll be expecting great things from MD tonight. Finally we have some dog training to go to, it seems ages since we last did any.

A quick peruse of the Oscars awards doesn’t reveal many surprises. As much as I liked ‘The King’s Speech’, it wasn’t, in my opinion, the best film and Colin Firth wasn’t the best actor but that’s Americans and royalty for you. I’m pleased ‘The Fighter’ got a couple of awards and I’m pleased for our Nat, even if that lithe ballet figure is now carrying a bit of extra weight. Apparently it was one of the choreographers on the set of 'Black Swan' that did it. I don’t mean actually ‘on the set’ but, then again, who knows. They were doing 16-17 hour days.

L’s well enough to check the frocks out (that's not work) and gives the award for the best to my mate Mila.



Yeah perhaps, I did look at the photos but didn’t really look at what they were all wearing.

I get home to find our wheelie bin in a right state, rubbish hanging out of it and all over the floor, whilst the bin itself is still a quarter full. I’d like to say this situation is a one off but it isn’t. I snap a few photos and email them to the council.

MD does indeed turn out to be well rested and is manic at class. That’s no bad thing and he (almost) achieves some great things. We’re still working on them. Doggo doesn’t get to train. Instead he gets a brief ten minutes walk. Time enough to wee n sniff, do his number twos and wee n sniff some more. Most of life’s little pleasures.

(Monday 28th February)

Saturday, 22 January 2011

You Know Who Is On The Bench

The dogs don’t get a park session this morning because first I have the opticians and then an early match. Derby v Forest has needlessly been moved to a 1pm kick off.

I’m not optimistic but at least we have everyone in their right positions for a change and they’ve left out that bloody Earnshaw. Unfortunately, you know who is on the bench, so expect a late winner.

The game is not a classic which I suppose means we do better than I expect. It looks like a 0-0 but it’s also all set up for someone to come off the bench and win it... and here he comes.... and there it is... Derby 0 Earnshaw 1. Typical.

It’s the rescheduled Bolsover 10k tomorrow. Fast and flat it says, although this is usually a lie. All the same I decided I ought to take it seriously. Well that was my thought when it was originally scheduled in December. Tonight, just the one drink while we watch a film about ballet, Darren Aronofsky’s Black Swan.

Thomas Leroy (Vincent Cassel) is the artistic director of a New York ballet company. His latest project is a new production of Swan Lake for which he promptly forces his star ballerina Beth (Winona Ryder) into retirement.



Boo hiss, always been a Ryder fan. You’re too old love. Her replacement in the coveted role of the Swan Queen is to be Nina (Natalie Portman). Boos turn to cheers over here. Always been a Portman fan.



Ryder is so distraught, that after insinuating just how down ‘n’ dirty Miss Nat P had to get to land the role, chucks herself under a car. Of course our Nat, well I best call her Nina, wouldn’t do any such thing, she is the White Swan personified, a real goody two shoes.

Let me explain and give you the idiot’s guide to Tchaikovsky’s Swan Lake... Evil sorcerer turns pretty young girl into a white swan and she can only be turned back if her prince swears eternal love to her. Evil sorcerer though has dirty trick up his sleeve, he invents an identical black swan who he sends to seduce the prince and divert his affections. You know how easily men are swayed.

As Swan Queen, Nina has to play both swans. The good, sweet, innocent White Swan as well as the wanton black one. Nina has all the technical ability to dance the White Swan dance but the director seriously doubts her ability to capture the brazen sexuality of the Black Swan.

Enter the rather fetching Mila Kunis as Lily.



Mmmm. Move over Ms Portman, slowly. I’ve suddenly become a Kunis fan. Nina finds the self assured Lily totally incomprehensible. She’s the sort of a girl who dabbles in all sorts of naughty pastimes, such as fun, as well as drugs ‘n’ alcohol, and carries her knickers around in her handbag. Nina feels threatened by her, more so when she finds out she’s to be her understudy. Lily has the all the sensual blackness that Nina lacks, she is the Black Swan immortalised, at least in Nina's eyes. Oh and she even has black feathers tattooed on her back. Subtle? Not.

Somehow Nina must find a way to evoke her inner Black Swan. Thomas tries to provoke and manipulate her into the role, demanding that she live a little and be less 'white'. He kisses her, she bites him, he’s impressed, and she gets the role.



Nina tries hard to live the role but still struggles to discover her dark side. The stress begins to tell on her and she starts to have delusions. Thomas, getting sleazier by the frame, takes her back to his place, for what we assume is an education in sleaze. Though you suspect he’s going to seduce her more for his own ends rather than just for the sake of the production and that she'll go with it for the role, as Ryder implied and maybe did herself, but that's not what happens. He sends her away with 'homework'. Homework she throws herself into with abandon (nice technique Nat), until she realises her mother is in the room.

Ah yes, her mother, Erica (Barbara Hershey). She too was once a ballerina but gave it up to raise Nina and now lives her life through her daughter. Always pushing her to be successful, whilst sheltering her from the world. She has raised an insecure young woman who looked fragile from the opening scene.

Nina’s hallucinations grow. The scratch marks she inflicts on her shoulder, yet we never see her do. She tears a piece of skin off her finger, ouch, but then realises it didn't happen. Her reflection in the mirror moves on its own... Nina becomes increasingly unhinged and before long she can barely distinguish between what is real and what isn’t and nor can we.

Enter again, the black haired temptress to lead her further away from reality. Lily takes Nina into what is probably uncharted territory, a bar and a night club, where Nina is so uptight that Lily offers her a drug to lighten her up.



Tugged along by Lily, Nina has a few drinks and the two of them indulge in an alcohol and drug fuelled night of clubbing and flirting with a couple of chaps called Tom and 'Jerry'. Then she takes Lily home and to bed, at least in her mind, via an argument with her mother. They lock lips, in several configurations, as Nina embraces a more lustful version of herself. Nina wakes up the next morning, alone and late for rehearsal where she finds Lily in her costume, dancing her routine, fresh from spending a night with Tom.

With so much pressure being exerted by her director, her mother, her rivals and herself, Nina continues to buckle under the strain. Becoming more and more obsessed with the role and the role takes her over. Aronofsky takes his audience inside her deteriorating sense of reality, making sure we see what she sees, we experience what she experiences. It is intense stuff.



It may have been her mother's paintings moving and talking to her that caused her to fall and hit her head. She comes round, in her own bed, on opening night to find out that her mother has called her in sick... mothers don't you just love ‘em.

When Nina finally gets to the theatre and performs, things don’t go that well. Lily is still up to her tricks, flirting with one of the male dancers. Nina loses her concentration and falls. The girls argue in the interval and fight or is Nina fighting with herself? Are these two girls actually two halves of the same person? Is Lily even real?

Whatever happens in that dressing room, Nina comes out and dances the Black Swan with the sensuality that Thomas has been asking for all along. She leaves the stage to rapturous applause and kisses him passionately, finally having seduced him with her dancing.

Then in the final scene of Swan Lake, as the White Swan commits suicide, perhaps we finally realise what is real and what isn’t... or perhaps not.

Either way, it’s a brilliant piece of filmmaking. An enthralling experience from start to finish, something you would not expect from a film about a ballet. So perhaps the Kings Speech isn't the best film of the year after all. As for Portman, does she deserve the plaudits she’s been getting? She’s always been easy to look at but as an actress, the jury was out. In this though, you have to admit she was terrific. Best film, best actress, best director... maybe, we have a few more to see yet.

(Saturday 22nd January)