Vivarium

With Broadway shut we aren't getting our usual fix of films but in an attempt to try and keep them in business we renew our membership anyway. In return they continue to send us their weekly emails with links to the films that they would have been showing, so that we can stream them along with discounts off the various streaming sites.

The first one we watch is Vivarium.

Gemma (Imogen Poots) and Tom (Jesse Eisenberg) are a young couple desperate to get on the housing ladder. They wander into an estate agency staffed by Martin (Jonathan Aris), who looks like he’s just come straight off the set of Book Of Mormon.

Even though it isn’t at all what they are looking for, he persuades them to visit a new housing development called Yonder. Yonder is Suburbia on speed with its rows of identical houses with their identical white picket fences and identical manicured lawns.

They are shown around No 9 which is like a show house with everything ready for a couple to move in and complete with a spare bedroom ready for child number one.

When Martin simply disappears, Gemma and Tom can’t wait to make a run for it but they discover that escape is not possible. Every road leads back to No 9 and after driving around until it gets dark, they run out of petrol right outside No 9.

The next day, Tom climbs on to the roof where he sees nothing but more identical houses, so they decide to follow the sun to find a way out. They walk across identical garden after identical garden, always climbing over the identical fences using identical white plastic chairs. When they finally find a house with some lights on, it’s No 9. 

They discover that a box is left outside the house every day containing food and other provisions. The same food and provisions, day after day. Then one day the box has a baby inside it with a note saying, 'Raise the child and be released'.

If you assume that by merely having entertained the ‘dream’ of suburban living ‘sold’ by the estate agent and subsequently found themselves trapped in it then the last thing they should now do is to agree to raise the child. After all, why would you move to suburbia in the first place if the next step wasn’t to have a child to occupy that spare bedroom?

Out of compassion (I guess) they accept the child, thereby trapping themselves more deeply because having the child piles further demands on them. The way Tom and Gemma deal with those demands is by reverting to stereotypical gender roles.

Gemma cares for the ‘Omen’ child or at least tries to reason with it, as it grows at the rate of a dog and screams at the top of his lungs until it gets what it wants. While Tom digs because it makes him feel like he's doing something, and that is what men do.

As the child grows up into a Martin clone it all ends rather brutally as, with their roles affectively fulfilled, they are 'released' but not before we get an insight into other couples doing exactly the same thing in exactly the same trapped environment.

I thought it was a fascinating film, in the vein of the Twilight Zone or Black Mirror. A film about the treadmill of life, that life itself is a trap.

Where many films these days are remakes or sequels any film that dares to be different should be applauded. Vivarium gets a standing ovation from me.

Double Vision

There’s no park for the boys this morning. The aim is to keep Doggo from over stretching himself so that he won’t limp into kennels next weekend.

Instead L spoils me by letting me take her boot shopping. We head over to Calverton to a couple of horsey type places that sell boots suitable for a WAG with a busy schedule of supporting to do. We find a suitably exotic pair but the shop owner seems a little put out when I try to haggle her down to the price they are on the internet. I succeed but only because we failed to find a really good internet price on her ipad.

Then back home, lo and behold, L goes out for a bike ride. She keeps saying cycling is the way to go and asking when our next sportive is. It’s all very odd and not the sort of thing she’s used to saying but I certainly don’t want to quell this new two wheeled enthusiasm.

In the evening we are back at Broadway.

The Double is loosely based on the Dostoevsky novel.

We meet Simon James (Jesse Eisenberg) on a train; deep in his own thoughts. Thoughts which are interrupted when someone tells him he's in his seat. The rest of the carriage is empty but Simon decides to move anyway. Then instead of taking another seat he chooses to stand in the empty carriage, this you realise later is important.

You see Simon is insignificant and he knows it. At work, nobody knows him or even remembers him from one day to the next despite him working there for seven years. He has ideas but nobody, least of all his boss, wants to listen to them and he lacks the courage to speak up for himself. As for the cute girl who does the photocopying (Mia Wasikowska), he knows he’s never going to have the confidence to declare his interest in her.

If Simon lacks balls, then James must have extra. James Simon is a new work colleague and is everything Simon wants to be. He is confident and adored by everyone. He is also Simon’s double, an exact physical double. Although this fact goes unnoticed by everyone apart from Simon himself.

At first Simon makes friends with him and helps him with his work only to see James lauded by his boss using Simon’s own ideas. Not only is James an instant hit with his boss, he proves irresistible to the girls as well. Whilst Hannah of photocopying room has never given Simon a second glance, she is immediately enthralled by James and asks Simon to fix them up.

The big question throughout is, is James real? and how much of what we see actually is real? Is James merely an alter-ego? There are hints in many directions but we never get to really find out.

Of course I could be reading too much into this and it’s simply meant to show how ridiculous it could be if someone double did really appear in to their life.

The film is a real curiosity piece, which needed a few pints to debrief it afterwards. Sadly we have a race tomorrow. Pretty much like ‘Under the Skin’ last week, this is a film that will divide opinion.

After filming this together Eisenberg and Wasikowska became an item, so I wonder which one she preferred. 

(Saturday 5^th April)