Its also the day she get the keys to her new flat which is
over in almost posh Mapperley Park. You could be pedantic and say it’s only
just in Mapperley Park but in it is. We start moving some of her things in but
we’ll need the man with the van again to move the big stuff.
Tonight we are at the Nottingham Playhouse for the first
time in ages to see The Grapes of Wrath. This is a special request from L, who
is struggling to get through the book along with the other 100+ novels on her book
pile. It is a shame then that I have to keep nudging her awake throughout and
her me.
This means that the dress code for the Great Depression era
is relaxed and alongside characters in 1930s-esk dungarees we have others in
tracksuits, jeans, Lycra leggings, a full superman outfit and (possibly the one
good pun in the production) an ‘Are we nearly there yet?’ t-shirt.
This re-jigging of the story even included real jigs and there
was a lot of unnecessary singing and dancing, including a very puzzling song about
user car sales. All of which took time away from the actual story and some
meaningful character development.
Those underdeveloped characters were large in number and extremely
diverse. This included a multi-racial casting within the same family, which of
course I understand the intent of but it really didn’t make things very easy to
follow. Nor did the lack of attention to the ages of the family members who
were meant to be siblings, parents and grandparents etc.
Then there was the sparse set which comprised of two large transparent
containers which I think were supposed to signify their assorted means of
transport and lodging but it was generally difficult to keep track of what they
were supposed to be at any one time. For me it looked like the play was mostly
set in a carriage on the London Underground. The real live river at the front
of the stage was a nice touch though.
In the end, the production came over as neither contemporary
nor true to the gritty realism of the original novel and I do like a bit of
grit. I’m really not sure what John Steinbeck would have thought but he would most
probably have hoped for something a little more coherent. It was just a bit
of a mess that left you coming out of the theatre feeling neither entertained,
educated nor inspired just confused.
I certainly needed the bottle Springhead’s Robin Hood ale
they now sell there as well as the drinks afterwards in the Room With A Brew and
the Blue Monkey.
(Saturday 1st April)
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